对于那些别人写的丑小鸭的读后感，他们都认为丑小鸭是一个怀揣个梦想，却不被别人所认可，只能自一个流浪，一个人去拼搏的卑微者，最后凭借着自己的努力变成了白天鹅。写这样读后感的人，你们真的认真看过丑小鸭么?它真的怀揣梦想了么?它一直都在自怨自艾，一直都认为是因为自己的丑而让别人讨厌却从来没想过要不要去改变。它凭借自己的努力使自己成为白天鹅?它本来就是一只天鹅。

一只真正的丑小鸭，不论它怎么努力，都不可能变成天鹅的，顶多会变成一只不丑的小鸭，毕竟品种不一样不是么，不过可以通过努力变成一只独一无二的鸭子。

丑小鸭的坚强的确值得学习，在现实生活中，很多人的心理承受能力都很差，因为从小被夫妇溺爱，有一点不顺心的事情就要闹自杀，班级里也会出现欺负同学的现象出现，那些内向，性格懦弱的人就极有可能被别人欺负，然后做出后悔终生的事，这样的人，连丑小鸭都不如。坚强没错，努力没错，但是要知道在这个世界上，并不是只要努力就能完成梦想。

飘英语读后感篇2

契柯夫，欧亨利，莫泊桑这三个耳熟能详的名字想必每个人都知道，作为世界三大小说之王的他们用细腻的笔触描绘了那个时代的黑暗与沧桑。在这个第一次在初中度过的秋天里，我有幸读到欧亨利的小说。

在欧亨利的笔下，每个人都被刻画得淋漓尽致：富人的贪婪，穷苦人民的善良，社会的黑暗……当翻开第一个故事《麦琪的礼物》时，我不由得为这对年轻夫妇感到悲哀，2人昔日感到彼此珍贵的东西到现在却成了无用的东西；但我又为2人感到欣慰，因为他们得到了比表链和梳子套装更珍贵的东西——爱，他们告诉我们要尊重他人的'爱，学会去爱他人，这难道不是人与人之间相处的基本规则么？

我用一丝惋惜翻去麦琪给予的礼物，展现在眼前的是《警察与赞美诗》，文中的苏比想去监狱熬过冬天，几次惹是生非。当听到赞美诗想改邪归正时，却被意外的逮捕。这出乎意料的结局，令人感到捧腹有心酸。

欧亨利借苏比的故事反映了当时社会的无情与残酷。主人公借助许多坏事扰乱社会，这也反映了资本主义社会下层人民的精神痛苦。

欧亨利为了表达对资本主义社会的不满，把手中的笔当作武器，大量运用穷富的对比手法，揭示自己作为一名作家对这个社会爱莫能助的忧伤。

欧亨利的作品中，幽默代替了酸楚，流露出自己对被命运捉弄的穷苦人民的悲惨情绪。

如今的社会早已不是那个颓废的年代，不再有那么多饱尝辛酸的人民。读着欧亨利的小说，我可以想象出那个年代的悲惨，一个个画面浮现在眼前……我不由得为欧亨利先生由衷敬佩。

飘英语读后感篇3

this is a story book, the inside of the story is preposterous, quirky and funny; this is a but with more than pages of books, the show is just a little girl in a long afternoon met there can all kinds of animals and men; this is also a even in fairy tale books seem most ordinary book, all the characters in the story can speak, all with their own idea-this and any a fairy tale almost no different than any.

from beginning to end, the story is so strange. alice has been somehow become bigger or smaller that i almost drowned by his own tears; she met a lot of animals and a lot of people, try to talk and talk to them, but they are not completely normal, and it is not friendly; she has not been ?

飘英语读后感篇4

in writing this paper, i want to thank all my teachers ,for their teaching and kind support, their continuous encouragement and massive help during these years. to the my twenty six classmates who helped me with my research, for their enthusiastic participation;to my friends in shijiazhuang, beijing, liverpool, western ontario encouragement and great support.

second, i would like to express my heartfe lt gratitude to professors fu tianjun, my advisor who spent much of his precious time discussing with me and helping me to narrow the topic at the initial stages, as well as showing great concern for my progress. i am deeply indebted for his assistance in helping me to accomplish this study. without his encouragement and specific guidance, the completion of this thesis would have been impossible. in addition, he has been very kind to me whenever i confronted problems during the project.

also, i hereby express my sincere gratitude to my classmates and roommates, who helped me to do the data collection i needed for this project. they have generously offered their help at the preparatory stage during this study. finally, i thank the subjects whose cooperation and participation contributed to the very basis for this research work.

飘英语读后感篇5

i have never thought so thin a book which is called the catcher in the rye can influence me so much.it makes me feel very impressive.and after reading this book,i have aroused many thoughts about it.

in today's literature world,the catcher in the rye is to be recognized as a modern classic.after reading this book,adults can increase the understanding of teenagers; young people can increase the understanding of their future life.no matter whom after reading this book will improve their ability about to be vigilant against the reality.it also can make you choose one self-reliance way to your future easily.

this book told us a profound significance story.the of this novel holden hated all the hypocritical things and really wanted to pursuit the pure reality at first.because of the development of his society,he finally submits to the development process of the social reality.it deeply show the loneliness,loss,pain of younger generation which is grow up after the world war ii in u.s.

well,i think that though holden used to seeing the reality of bourgeois society,and he must promise with realistic society in the end,he also have many courage to have a try to rebel against the hypocritical world.this spirit should be set up if we want to improve the process of the world.

now,we live in a country,which is in great reformation,and everything in the process of changing development.well,with the development of our country; people's thought also is in the change.at the same time,many people's thoughts start confusion and depression.they forgotten their initial dreams and have no enthusiasm gradually.so,in the end,they began to yearn for mediocrity and have nothing to do.

perhaps we can learn from this book to find our own shadow.to a certain extent that it reflects many characteristics of the adolescents,and we can also see the dark side of the society.with the material's progress,the spiritual world is inevitably producing some changes.at that time,what we need is a change which can make our dream into a reality.therefore,what we should do is not to hope,not to wait,not to plain,but from now on,just start from your own efforts and watch your initial dream.you'd try your best to create the life you want with your own hands.

飘英语读后感篇6

what can anyone say about don quixote that hasn"t been said? the book"s been around for four hundred years, has inspired virtually every literary movement from the eighteenth-century picaresque to the most obscure works of twenty-first century postmodernism.

don quixote is one of the few books that merits casual references with the definite article （the quixote）， and additionally is one of the few books to spawn a universally-recognized adjective （quixotic）.how to even approach a book like don quixote, a book that has been, at some time or other, all things to all people? how to evaluate a cultural monolith? the simplest way, of course, is just to pay attention to the fact that don quixote, four hundred years after its initial publication, is still a hell of a read!

sure, there are rough patches, yet: the mini-novels that interrupt the narrative of the first part for a hundred-odd pages would have been easy targets for some modern publisher"s blue pencil, the long essays on arms or piety can ring strangely to reader sensibilities, the descriptions are sometimes a vague mess, and yet the basic story, the basic concept holds up.

it"s hard to stay mad at don quixote: as frustrating as the plot can be at times, some archetypal lure lurks within the world of cervantes"s spain, some magic that draws us in, much like the world of chivalry that continues to draw quixote himself through the progressively more painful wringer of situations.

the concept of the novel is simple: alonso quijano, landowner from la mancha, is obsessed with his library of chivalrous books. driven mad by the inconsistencies of plot, character and philosophy that fill each volume of these seventeenth-century precursors to the fantasy novel, quijano resolves to restore dignity to the lost profession of knight-errantry, assembles a rudimentary sword, suit of armor, and horse （the eternally-suffering-and-spavined rocinante）， and sets out into spain in his quest for glory.

in return for this act of hysterical faith, he finds violent innkeepers, malevolent thieves, cynical shepherds, sadistic nobility, and even （due to avellaneda"s false sequel to the book"s first volume, one of the most famous pieces of fan-fiction ever written） an inferior （and, in the novel, invisible） quixote impostor.

the first few scenes involve quixote alone against the contemporary world, but before a hundred pages have elapsed cervantes introduces sancho panza, quixote"s gullible, bloated and homily-spouting squire, who in conjunction with quixote provides the spark for endlessly bizarre discussions in which quixote"s heightened, insane conception of the world is brought crashing to earth by sancho"s sly pragmatism （discussions which occasionally end with quixote threatening to pummel sancho in order to shut him up

once joined together, it"s very difficult to imagine don quixote and sancho ever being split apart: the two are the original comic duo, locked into perpetually and mutually exclusive views of the world, and in and of themselves--whether sancho is being asked to give himself hundreds of lashes in order to disenchant quixote"s swineherd love interest, dulcinea, or whether quixote is mixing a potion based on olive oil and bitter herbs that will, in theory, cure all of sancho"s quixote-caused earthly wounds--the knight and the squire personifies the thematic conflict that propels the work.

in general, this is why don quixote remains one hell of a read--even today. the reader faces, in the same moment, an ideal view of the world （the world as enchanted, antiquated, idyllic） and the brutal facts of the actual world （the world as material, modern, loath to believe in knights.）

quixote hacks at the belly of ogres in an inn basement, and is rewarded by a jet of wine in his face and a hefty bill for damages. he tries to rid the land of giants, and is spun, lance-first, by a powerful windmill he spears in the attempt. he attempts to liberate a statue of the virgin mary, which he believes to be a damsel in distress, from her captors, and in return is beaten up by priests.

throughout, sancho is there to say exactly what the reader is likely thinking--those aren"t giants; dulcinea isn"t beautiful; none of this can be real--only to be rewarded with a lecture from don quixote about how he is beset by enchanters, who frustrate his every move by replacing the facts of his world, at the last moment, with devil"s illusions that bear an uncomfortable resemblance to our own reality. it"s a single joke repeated across a thousand pages, and yet it"s b enough to bring a laugh every time.

quixote"s insistence on his own madness in the face of innumerable arguments to the contrary, many of which take the form of cat scratches, cracked bones and missing teeth, makes him an interesting character because we know--or we think we know--that quixote is just wrong. yet, despite all of the pain he suffers in pursuit of that wrong, he continues to believe that he"s right. so we read on page-after-page, waiting to see how much more the man who believes himself a knight is able to take before he gives in--whether, in the end, quixote will give in at all.

we read not only for page-after-page, but for year-after-year, century-after-century, pulled by the cognitive dissonance that surrounds the knight like his own cloud of malicious enchanters. in the process, just as quixote builds his castles from inns and criminal campfires, so we build castles of speculation from what we find in cervantes"s spain, at once so brutally real and so dream-like, the realm of archetype and myth founded on dreary life. we, like don quixote, are driven to hallucinate by what might be, in the end, just a very good story.

with don quixote, cervantes has accomplished an enduring act of literary alchemy: just as quixote is combined with sancho, so is fantasy combined with reality, the eternal with the everyday, and like the combination of matter and anti-matter, the explosion of aesthetic power is, in magnitude, infinite, propelling readers from the earth--at first facing inward at what was left behind on the page, then, forgetting the earth, outward into meaning--farther and farther toward the dream-like stars.

飘英语读后感篇7

the little prince – a tale of love and life title: the little prince author: antoine de st-exupery main characters: the little prince the pilot the rose the fox the snake etc. despite i’ve not in my childhood yet i still prefer reading fairy-tale stories. the tales which accompany with me in my old days often make me think of some precious experience and sensation which only belong to children. this summer i’ve review this kind of tale which was published in 1940. it’s the world-famous fairy-tale by the french author antoine de st-exupery the little prince. as many other fairy-tales the outline of the little prince is not very complex. “i” the narrator of the story is a pilot whose plane has something wrong and lands in the sahara. in this occasion the pilot makes the acquaintance of the little prince a little boy from another planet the asteroid b612. the little prince has escaped from his tiny planet because he has some quarrel with a rose which grows on his planet. in that case he left his own planet and took an exploration at some neighbor asteroids. on his all-alone journey the little prince meets different kinds of people which includes a king a conceited man a tippler a businessman a lamplighter and a geographer. from these people he gets a conclusion that the grown-ups are very odd. following the instruction of the geographer he descends in the sahara on the earth.

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飘英语读后感优秀7篇